BIOGRAPHY
Chatori Shimizu (b. 1990) is a Germany based composer, shō performer, and sound artist, who constructs his works for a wide range of mediums concerning the time identity in sound. Ranging from orchestral works to sound installations, all of his works "engage in repetitive patterns of sound motifs, which aims for the slightest change in the pattern to act as an accent" (New York Seikatsu), and is described as "a flared infotainment playground" (Mehrlicht Dresden).
As the First Prize Winner of the 2016 Malta International Composition Competition, Shimizu's works have been performed and exhibited throughout Australia, Canada, China, France, Germany, Japan, South Korea, the Netherlands, Poland, Serbia, Thailand, United Kingdom, and the United States, by acclaimed ensembles and musicians such as AuditivVokal, Hidejiro Honjoh, Linea, Multilatérale, Mayumi Miyata, mise-en, Mivos, Shanghai Philharmonic Orchestra, Sound Factory Orchestra, among others. Shimizu has been awarded fellowships from Columbia University School of the Arts, Institute of Medieval Japanese Studies, the Mitsubishi Foundation, Omi International Arts Center, Soundstreams, Toshiba Foundation, and Yaddo. His music scores are published from United Music & Media Publishing, Belgium.
As an active researcher in the compositional approaches of the shō, he has conducted numerous lectures and demonstrations regarding the notation and the extended techniques of Japanese instruments in universities worldwide, such as Baruch College, Cornell University, The Graduate Center at CUNY, Manhattan School of Music, University of Hawaii at Manoa, Conservatorio de Música de Puerto Rico, Tamagawa University, among others.
Shimizu was born in Osaka, Japan, and spent his formative years in Singapore. Upon receiving the Professional Diploma in Piano Performance with High Honors at age twelve, he studied computer music and composition with Shintaro Imai and Motoharu Kawashima at Kunitachi College of Music, Tokyo, graduating with the Arima Prize. He received his MFA from Columbia University, New York City, where he studied at the Computer Music Center with Brad Garton and Zosha Di Castri. Shimizu currently studies composition with Mark Andre and Franz Martin Olbrisch at Hochschule für Musik Carl Maria von Weber in Dresden. He serves as Co-Artistic Director of Composers' Collective Tesselat, and is a Mitsubishi Foundation Fellow.
Education
2018- Hochschule für Musik Carl Maria von Weber Dresden, Dresden, Germany
2016 Columbia University, New York, NY (MFA in Sound Arts)
2014 Kunitachi College of Music, Tokyo, Japan (BA in Computer Music, summa cum laude)
Awards & Honors
2019 Musicaphoria 2019 Call for Scores (Tangerang, Indonesia)
2019 Ars Electronica Forum Wallis Call for Scores (Leuk, Switzerland)
2018 GRIT Collaborative Call for Scores (Phoenix, AZ, USA)
2018 27th International Review of Composers Call for Scores (Belgrade, Serbia)
2018 Bushwick Open Studio 2018. Call for Sound Arts/Electroacoustic Music (New York City, NY, USA)
2018 Ludgar Hofmann-Engl Call for Scores for Piano Works (Wroclaw, Poland)
2018 Honorific Mention, Allentown Symphony Association Composer Competition (Allentown, PA, USA)
2017 NAT28 Call for Scores Winner (Pittsburgh, PA, USA)
2017-2018 Mitsubishi Foundation Fellowship (Pittsburgh, PA, USA)
2016 First Prize: 2016 Malta International Composition Competition (fiddle) (Valletta, Malta)
2016 Columbia University School of the Arts Dean's Grant (-shikaku-) (New York, NY, USA)
2015 Toshiba International Foundation Arts & Culture Grant (Co-recipient) (New York, NY, USA)
2015 IMJS Gagaku-‐Hogaku Mentor/Protégé Initiative Fellowship (Tokyo, Japan)
2015 Columbia University School of the Arts Dean's Grant (play_algorithm.), (New York, NY, USA)
2014 Tokyo to New York Call for Scores Winner (New York, NY, USA)
2014 Audio Visual Synthesis Workshop at Dartmouth Fellowship (Hannover, NH, USA)
2014-2016 Columbia University School of the Arts Scholarship (New York, NY, USA)
2014 Arima Prize, Kunitachi College of Music (Tokyo, Japan)
2013 Honorable Mention (umbra), TIAA Composition Competition (Tokyo, Japan)
2012 A-EN Project 2012 Call for Scores Winner (Tokyo, Japan)
2003 High Honors Award, Australian Guild of Music and Speech (Singapore)
Festivals and Residencies
2019 chor.com 2019 (Hannover, Germany)
2019 Visby International Center for Composers (Gotland, Sweden)
2019 Musicaphoria 2019 (Tangerang, Indonesia)
2019 Thailand New Music and Arts Symposium (Bangkok, Thailand)
2019 Etchings Festival 2019 (Auvillar, France)
2019 Dresdener Lange Nacht der Wissenschaften 2019 (Dresden, Germany)
2018 Hearing China 2018 (Shanghai, China)
2018 Gamelan Composers' Forum at University of London SOAS (London, UK)
2018 Oh My Ears! Festival (Phoenix, AZ, USA)
2018 27th International Review of Composers (Belgrade, Serbia)
2018 Bushwick Open Studios: Electronic Music Week (New York City, NY, USA)
2018 14th Thailand International Composition Festival (Bangkok, Thailand)
2018 Nebula Summer Festival (Greenwood Village, CO, USA)
2018 nief norf Summer Festival 2018 (Knoxville, TN, USA)
2018 Cluster: New Music and Integrated Arts Festival (Winnipeg, MN, Canada)
2018 Beyond: Microtonal Music Festival and Symposium (Pittsburgh, PA, USA)
2017 OUA-Electronic Music Festival (Osaka, Japan)
2017 Université d'Altitude 2017 (Saint-Martin-Vésubie, France)
2017 Corporation of Yaddo Artist Residency Fellow (Saratoga Springs, NY, USA)
2017 21C Music Festival (Toronto, ON, Canada)
2017 Soundstream Emerging Composers Workshop Fellow (Toronto, ON, Canada)
2017 Ragdale Foundation Residency (Lake Forest, IL, USA)
2017 S.E.M Emerging Composers Workshop (New York, NY, USA)
2016 Electronic Music Midwest Festival (Romeoville, IL, USA)
2016 Music Omi (Columbia County, NY, USA)
2016 ONE MONTH FESTIVAL (Tokyo, Japan)
2016 New Music On the Point Festival (Lake Dunmore, VT, USA)
2015 Gagaku-Hōgaku Mentor/Protégé Summer Initiative (Tokyo, Japan)
2014 Audio Visual Synthesis Workshop (Hannover, NH, USA)
Selected Commissions
2019 Rightist Mushrooms for choir, commissioned by AuditivVokal
2018 Pink Elephant in Prentis for sheng and orchestra, commissioned by Shanghai Philharmonic Orchestra
2017 légère fièvre for flute and percussions, commissioned by Nebula Ensemble
2017 Being a Hermit for guitar and chamber orchestra, commissioned by Kenji Haba
2017 Kingyo Obsession for four voices (SATB), commissioned by Soundstreams
2016 economy for bass shamisen and bass clarinet, commissioned by Tokyo to New York Concert Series
2016 Translucent for 8-string guitar; commissioned by Joseph Ehrenpreis
2016 EROSION for shō, hichiriki, and koto, commissioned by Thomas Piercy
2015 boooooooooon for chamber orchestra, electronics, and video, commissioned by ensemble mise-en
2014 Philosophy of the Impossible for percussions and electronics, commissioned by Percussion Duo Echo
2014 Shiki tō Unkai III for shō and percussions, commissioned by A-EN Project
2014 Worlds of No Overlaps for piano, commissioned by Yusuke Satoh
2013 Shiki tō Unkai for sop. saxophone and cello, commissioned by A-EN Project
2012 The Mousetrap, the Cat, and Me for orchestra, comissioned by Kunitachi College of Music Art Festival Orchestra
Artistic Directions
2018 Music Director for FUTURE HOST: A Speech Opera (Beijing/Shanghai, China)
2018 Co-Director for Composers' Collective TESSELAT
2017 Music Consultant for Babette's Feast (New York City, NY, USA)
Selected Conference Presentations
2019 "Composing for Shō: Notation and Extended Techniques", ICTM World Conference 2019, Bangkok, Thailand
2018 "Learning Japanese Traditional Music beyond the Boundaries", ICTM MEA Conference 2018, Seoul, South Korea
2018 "Shō in Compositions Today", nief norf Asia Summit, Knoxville, TN, USA
Selected Research & Lectures
2019 Visiting Lecturer for Introduction to Western Contemporary Music, Otsuma Womens University, Tokyo, Japan
2019 Visiting Lecturer for Life After a Music Degree, Senzoku Gakuen College of Music, Kawasaki, Japan
2019 Visiting Lecturer for Introduction to Shō: Notation and Extended Techniques, Conservatoire de Bordeaux, Bordeaux, France
2019 Visiting Lecturer for Conference performative de Chatori Shimizu et Iván Solano, Le Conservatoire de Strasbourg, Strasbourg, France
2019 Visiting Lecturer for Introduction to Shō: Notation and Extended Techniques, Cornell University, Ithaca, NY
2019 Visiting Lecturer for Introduction to Shō: Notation and Extended Techniques, CUNY Baruch College, New York, NY
2019 Visiting Lecturer for Introduction to Shō: Notation and Extended Techniques, The Graduate Center, CUNY, New York, NY
2018 Visiting Lecturer for Introduction to Western Contemporary Music, Otsuma Womens University, Tokyo, Japan
2018 Visiting Lecturer for Introduction to Shō: Notation and Extended Techniques, CUNY Baruch College, New York, NY
2018 Visiting Lecturer for Shō in the Context of Contemporary Music: Lachenmann, Manhattan Schol of Music, New York, NY
2018 Visiting Lecturer for Introduction to Shō: Notation and Extended Techniques, The Graduate Center, CUNY, New York, NY
2018 Visiting Lecturer for Merging Boundaries of Genres, Columbia University, New York, NY
2018 Visiting Lecturer for Introduction to Shō: Notation and Extended Techniques, CUNY Baruch College, New York, NY
2017 Panel Discussion for Hyperobjects, Chronus Arts Center, Shanghai, China
2017 Special Lecturer for Introduction to Multimedia Arts, Xiamen University, China
2017 Visiting Lecturer for Japanese Instruments Used in the Context of Western Music, Senzoku Gakuen College of Music, Kawasaki, Japan
2017 Visiting Lecturer for Seminar in Asian Music, Shobi College of Music, Tokyo, Japan
2017 Visiting Lecturer for Introduction to Japanese Instruments, Manhattan School of Music, New York, NY
2017 Visiting Lecturer for Composer Workshop Meeting, University of Hawaii at Manoa, Honolulu, HI
2016 Visitng Lecturer for De Japón A Puerto Rico, Conservatorio de Música de Puerto Rico, San Juan, Puerto Rico
2016 Visiting Lecturer for Notation for Japanese Instruments, Manhattan School of Music, New York, NY
2016 Teaching Assistant for Graduate Studio II/Graduate Studio IV, Columbia University, New York, NY
2015 Lecturer for Chatori Shimizu: Shiki to Unkai, Inner Fields, New York, NY
2015 Visiting Lecturer for Seminar in Asian Music, Shobi College of Music, Tokyo, Japan
2015 Visiting Lecturer for Gagaku Workshop By Columbia University Students, Tamagawa University, Tokyo, Japan
2015 Visiting Lecturer for Composition Seminar, Kunitachi College of Music, Tokyo, Japan
2015 Assistant Coordinator for Gagaku-Hōgaku Mentor/Protégé Summer Initiative, Institute for Medieval Japanese Studies, Tokyo, Japan
2015 Teaching Assistant for Columbia University Sound Arts Workshop, National Institute of Informatics, Karuizawa, Japan [link]
2015 Visiting Lecturer for Study Music Abroad, Senzoku Gakuen College of Music, Kawasaki, Japan
2015 Visiting Lecturer for Seminar in Asian Music, Shōbi Music College, Tokyo, Japan
2014 Visiting Lecturer for Study Music Abroad, Senzoku Gakuen College of Music, Kawasaki, Japan
Research Relevant Translations & Interpretations
2018 Translation (Jpn to Eng) for Tokyo University of the Arts, Tokyo, Japan
2017 Interpreter (Jpn to Eng) for Hogaku Quartet, Asia Society, New York, NY
2016 Interpreter (Jpn to Eng) for Hidejiro Honjoh (biwa), Columbia University, New York, NY
2016 Interpreter for Ichikawa Ebizo XI Grand Japan Theater, Carnegie Hall, New York, NY
2015 Interpreter (Jpn to Eng) for Akiko Sakurai (biwa), Columbia University, New York, NY
2015 Interpreter (Jpn to Eng) for Mayumi Miyata (shō), Hitomi Nakamura (Hichiriki), and Takeshi Sasamoto (ryūteki), Columbia University, New York, NY
2014 Interpreter for Gagaku-Hōgaku Mentor/Protégé Summer Initiative, Institute for Medieval Japanese Studies, Tokyo, Japan
2014 Translation (Jpn to Eng) for "Instrumentation for Shō" (Naoyuki Manabe), Tokyo, Japan
2013 Interpreter (Eng to Jpn) for Mivos Quartet Asia Tour 2013 (Japan), Tokyo, Japan
Portrait Concerts and Solo Exhibitions
2019 CCCP presents Chatori Shimizu, Ithaca, NY
2015 Chatori Shimizu: Shiki to Unkai, New York City, NY
2015 Percussion Works for Echo, Tokyo, Japan
2014 Spatiotemporal Composition Works, Tokyo, Japan
Interviews, Press & Publications
2019 [Review] Bewegende Bekenntnismusik, Mehrlicht Dresden, Nov. 12, 2019 (German)
2019 [Feature] 作曲家・清水チャートリー, Carillon, Oct. 1 2019 (Japanese)
2019 [Review] 夜限定の科学イベントに行ってきた, Ritz-Germany.Net, June 18, 2019 (Japanese)
2019 [Feature] Aufträge und Erfolge für Kompositionsstudierende, HfM Carl Maria von Weber, April 18, 2019 (German)
2019 [Feature] 手書きの五線譜で世界魅了：作曲家清水チャートリー, 週刊NY生活2019年4月27日号 (Japanese)
2019 [Publication] 外国人が和楽器を学ぶための教習方法に対する考察（共著）/洗足論叢第47号 (Japanese)
2018 [Interview] Experimental Theatre Experience to Debut, China Daily, Sept. 8, 2018 (English)
2018 [Radio Interview] Saturday Light Brigade Radio, January 13, 2018 (English)
2017 [Feature] 和楽器と日本伝統音楽の普及の一施策として/洗足論叢第46号 (Japanese)
2017 [Feature] Othello by Chatori Shimizu /RecordNewYork (English)
2017 [Interview] Au coeur de l'Université d'Altitude : le travail en répétition, MediaPart, July 15th, 2017 (English, French sub)
2017 [Publication] 現代音楽の中の笙, 雅楽だより第49号, 3~4頁 (Japanese)
2016 [Feature] Chatori Shimizu, Not Random Art Issue 03 July/August pg. 64-71 (English)
2016 [Feature] An Artist In Search of Sounds, Arts Culture Beat (English)
2015 [Feature] 米国コロンビア大学で雅楽と邦楽を学ぶ学生代表によるワークショップがありました /玉川の教育 (Japanese)
2015 [Feature] Somewhere Close, Amplitude (English)
2015 [Feature] Shinkaigyo, 60x60 Wave Farm Mix, Wave Farm 90.7-FM (English)
2015 [Feature] -SHIKAKU-, Everyday Listening (English)