Publications​

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2024    台湾にいったい何があるというんですか？, 岩波書店「図書」(Japanese)

2024    Sunny with a Chance of Beetle, Style&Idea (Japanese/English)

2023    Critiquing the Unfamiliar: Cultural Sensitivity and Music Appreciation, Internationales Musikinstitut Darmstadt (English)

2023    Talking Darmstadt: Chaya Czernowin on Heart Chamber, Internationales Musikinstitut Darmstadt (English)

2022　SEED 2021: バーチャル作曲アカデミーを終えて, 雅楽だより第68号 (Japanese/English)

2022　On Culture and Music - A Discourse with Helmut Lachenmann, Con-Cul Journal (English)

2021　The Post-Composition World: Listening to Shiota Chiharu's Works, Con-Cul Journal (English/Japanese)

2021    現代音楽の中の笙：西洋か東洋か, 雅楽だより第65号, 4~6頁 (Japanese)

2021    現代音楽の中の笙：アカデミアから見た日本楽器, 雅楽だより第64号, 3~5頁 (Japanese)

2020   現代音楽の中の笙：自由即興とエキゾチックな表現, 雅楽だより第63号, 5-7頁 (Japanese)

2020   現代音楽の中の笙：「文化の盗用」を考える, 雅楽だより第62号, 1-4頁 (Japanese)

2020   現代音楽の中の笙：音響分析と創作, 雅楽だより第61号, 9-10頁 (Japanese)

2020   現代音楽の中の笙：笙と西洋五線譜, 雅楽だより第60号, 7-8頁 (Japanese)

2019    外国人が和楽器を学ぶための教習方法に対する考察（共著）/洗足論叢第47号 (Japanese)

2017    現代音楽の中の笙, 雅楽だより第49号, 3~4頁 (Japanese)

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Lectures

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2024　東洋音楽史「西洋芸術音楽における多文化の響き」

Senzoku Gakuen College of Music, Kawasaki, Japan (November 2024)

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2024　作曲家として海外で住むということ

Odawara Junior College, Odawara, Japan (September 2024)

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2024　「中國哲學、腦科學與醫學的交會」學術工作坊

National Tsing Hua University, Hsinchu, Taiwan (June 2024)

 

2024　西洋芸術音楽の中の非・西洋的表現

Kyoto Women's University, Kyoto, Japan (May 2024)

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2024　Liberating Time and Space: Chatori Shimizu

National Yang Ming Chiao Tung University, Taipei, Taiwan (March 2024)

 

2023　聲音、空間與時間的個性

Chinese Culture University, Taipei, Taiwan (December 2023)

 

2023　西洋芸術音楽というコンテクストにおいて作曲された和楽器作品について

Kyoto Women's University, Kyoto, Japan (May 2023)

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2023　Chatori Shimizu: Sound, Space, and Time Identities

Sydney Conservatorium of Music, Sydney, Australia (March 2023)

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2023　Lecture at Kamikawa High School

Kamikawa High School, Kamikawa-cho, Hokkaido, Japan (March 2023)

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2022　Living as a Composer in Germany

Odawara Junior College, Odawara, Japan (September 2022)

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2022　Exploring Time Identities in Music

UC San Diego, San Diego, CA (August 2022)

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2021　Chatori Shimizu: Composer in Germany

Odawara Junior College, Odawara, Japan (December 2021)

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2021    Time Identity of Languages

SEED 2021: Virtual Composition Academy (May 2021)

 

2021    A Brief Look on Cultural Appropriation

SEED 2021: Virtual Composition Academy (May 2021)

 

2021    University of the Pacific presents Composer Chatori Shimizu

University of the Pacific, Stockton, CA (April 2021)

 

2021    The Notation and Time Identity of Shō

CUNY Brooklyn College, New York, NY (March 2021)

 

2020    Is Freedom of Expression Important in the Arts?

Mudita Saturday Talk (August 2021)

 

2019    Introduction to Shō: Notation and Extended Techniques

CUNY Baruch College, New York, NY (December 2019)

 

2019     Introduction to Shō: Notation and Extended Techniques

Conservatoire de Bordeaux, Bordeaux, France (July 2019)

 

2019     The Etchings Festival: Seminar on Shō

The Etchings Festival, Auvillar, France (July 2019)

 

2019    20世紀の音楽

Otsuma Womens University, Tokyo, Japan (July 2019)

 

2019    清水チャートリー作曲作品解説

Senzoku Gakuen College of Music, Kawasaki, Japan (July 2019)

 

2019     Conference performative de Chatori Shimizu et Iván Solano

Le Conservatoire de Strasbourg, Strasbourg, France (June 2019)

 

2019     Introduction to Shō: Notation and Extended Techniques

Cornell University, Ithaca, NY (March 2019)

 

2019     Introduction to Shō: Notation and Extended Techniques

CUNY Baruch College, New York, NY (March 2019)

 

2019     Introduction to Shō: Notation and Extended Techniques

The Graduate Center, CUNY, New York, NY (March 2019)

 

2018    20世紀の音楽

Otsuma Womens University, Tokyo, Japan (December 2018)

 

2018     Introduction to Shō: Notation and Extended Techniques

CUNY Baruch College, New York, NY (October 2018)

 

2018     Shō in the Context of Contemporary Music: Lachenmann

Manhattan Schol of Music, New York, NY (April 2018)

 

2018     Introduction to Shō: Notation and Extended Techniques

The Graduate Center, CUNY, New York, NY (April 2018)

 

2018     Merging Boundaries of Genres

Columbia University, New York, NY (April 2018)

 

2018     Introduction to Shō: Notation and Extended Techniques

CUNY Baruch College, New York, NY (April 2018)

 

2017    Hyperobjects

Chronus Arts Center, Shanghai, China (August 2017)

 

2017    Introduction to Multimedia Arts: Max/MSP Workshop

Xiamen University, China (August 2017)

 

2017     現代音楽の中の笙

Senzoku Gakuen College of Music, Kawasaki, Japan (July 2017)

 

2017     Seminar in Asian Music

Shobi College of Music, Tokyo, Japan (July 2017)

 

2017     Shō in the Context of Contemporary Music: Lachenmann

Manhattan School of Music, New York, NY (April 2017)

 

2017     Composer Workshop Meeting,: Composing for Shō

University of Hawaii at Manoa, Honolulu, HI, USA (March 2017)

 

2016     De Japón A Puerto Rico

Conservatorio de Música de Puerto Rico, San Juan, Puerto Rico (May 2016)

 

2016     Notating Shō: Guide to Composition and Analysis

Manhattan School of Music, New York, NY (January 2016)

 

2016    Graduate Studio II/Graduate Studio IV

Columbia University, New York, NY (January to April 2016)

 

2015     Seminar in Asian Music

Shobi College of Music, Tokyo, Japan (June 2015)

 

2015     Gagaku Workshop

Tamagawa University, Tokyo, Japan (June 2015)

 

2015    Composition Seminar

Kunitachi College of Music, Tokyo, Japan (June 2015)

 

2014     音楽人：留学

Shōbi Music College, Tokyo, Japan (June, 2014)

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Conference Presentations

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2019     "Composing for Shō: Notation and Extended Techniques"

ICTM World Conference 2019, Bangkok, Thailand

 

2018     "Learning Japanese Traditional Music beyond the Boundaries"

ICTM MEA Conference 2018, Seoul, South Korea

 

2018     "Shō in Compositions Today"

nief norf Asia Summit 2018, Knoxville, TN, USA